Do I need to send my firearm to the atelier?
Yes. All firearm work is performed on your own physical piece at the atelier. Photographs are used only to evaluate the project and develop the design — no engraving can be carried out remotely.

I. · THE GRAVE SYSTEM · 10+ STYLE TRADITIONS
From full-coverage scrollwork to discreet monograms, our engravers work on slides, frames, cylinders, barrels, wood and small parts. Work is cut primarily by precision fibre laser, with controlled depth and layered passes for exact, repeatable geometry, then finished at the bench — bright-cut, shaded and burnished under loupe wherever the design calls for it. Traditional English scroll, Renaissance florals, arabesque, Western bank-note, modern geometry, family crests and custom artwork. Cut lines are frequently finished with flush precious metal — see fine wire inlay — and the engraved piece is then plated or blued and photographed for archive.




We study the piece in hand and draw the layout by pencil — coverage, flow and where the eye should rest. Nothing is cut until the drawing is agreed.
The approved artwork is transferred to the steel with high-resolution laser layout, holding proportion exactly across curved and broken surfaces.
Every line is cut, chased and shaded by graver under loupe. Backgrounds are punched or relieved by hand, never printed.
The work is burnished, any precious metal is set flush, and the piece moves on to plating, bluing or Cerakote before final photography.
Yes. All firearm work is performed on your own physical piece at the atelier. Photographs are used only to evaluate the project and develop the design — no engraving can be carried out remotely.
Yes. Diwani, Thuluth and Kufic are cut regularly, alongside Latin lettering, family crests and unit insignia. Jo is a calligrapher by training, so lettering is drawn for the piece rather than pulled from a font.
Laser is used for layout and for surface imaging on coated parts. Hand engraving removes metal with a graver, giving depth, bright cut facets and shading that laser cannot reproduce. Most projects use both, each where it belongs.
No. Coverage and depth are planned around the mechanics of the piece; stress-bearing surfaces are left untouched and the firearm is checked and function-tested before it is returned.
A typical project unfolds across one to four months depending on coverage and finishing. Full-coverage work with inlay and plating sits at the longer end.
More in the full FAQ.
Process
The questions we answer before every project — collected in one place.
6 min readGrips
A grip is the one part of a pistol you actually hold. It deserves to be made for you.
6 min readFinishing
Gold on a firearm is either jewellery or a mistake. The difference is entirely in the preparation.
6 min read
II.
Fine Gold & Silver Wire Inlay

III.
Slide Porting, Windowing & Optic Cuts

IV.
Gold Plating, Chrome & Electro-Bluing

V.
Cerakote Firearm Coating

VI.
Cerakote Laser Imaging

VII.
Custom Epoxy Resin Pistol Grips

VIII.
Bespoke Presentation Cases

IX.
Professional Firearm Photography

X.
Custom Leather Holsters & Rifle Bags
By appointment only